Anthony Holdsworth

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New paintings, commentary, and classes in color theory by urban landscape painter and local artist Anthony Holdsworth in Oakland, San Francisco, Italy & Mexico
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SF.GlobalWmTri2Blog

Censorship, the environment and nuclear power : upcoming exhibitions

Anthony Holdsworth March 31, 2011

On June 7th, 2010  my exhibition of Global Warming paintings in our nation's first green Federal Building was abruptly canceled. A half hour before my reception, I was ordered by a GSA lawyer to take my work down. As I exited the building, I remember thinking ' If our government prefers censorship to actively dealing with ecological issues this building will some day be standing in sea water!' (A full account below at Censored!...)

The rejected paintings are neither predictions nor statements of fact. They are  cautionary tales, a glimpse, through a glass darkly, of a road that should not to  be taken.

Unfortunately, our Federal government, driven by corporate dinosaurs and cowed by the Mad Tea Partiers, seems hell-bent on ignoring the best advice of the world's leading scientists. Its principle 'green' solutions to climate change are 'clean coal' , an untested technology, and nuclear power which is neither 'clean' nor 'safe' as Japan tragically reminds us.

My father, Dennis Holdsworth, who ran research and development programs from the fifties to the seventies, began as a strong advocate of Nuclear Power. But before he died he declared “Nuclear power is an incredible technology which would be perfect if we could guarantee perfection in our technology and in our operators.  We can't . We're human.  We make mistakes. The price of for nuclear mistakes is  too high”

SF.GlobalWmTri3Blog

There is no safe level of radioactivity.(See John Gofman) Nuclear plants constantly raise the level of radioactivity in our environment. Dr Ernest Sternglast, who  led the movement to stop nuclear weapons testing, asserts that every reactor he's investigated in this country leaks significant amounts of radiation. There are high levels of strontium-90 in children's teeth downwind of these reactors as well as other toxic isotopes. ( More detailed information at radiation.org or youtube press conference) Our reactors here in California, which are no more prepared for a major quake than those in Japan, regularly vent radioactive wastes into our coastal waters.

Representatives of the nuclear industry speak of 'safe levels' and regularly downplay the dangers. They brazenly deny the real costs of Chernobyl - possibly a million casualties ( Environment News Service ) and continue to deny any deleterious effects from Three Mile Island despite evidence to the contrary  (http://www.unc.edu/news/archives/feb97/wing.html). Our government officials, many of whom make careers of sweeping troublesome issues under the rug, depend on these questionable sources for their advice.

SF.Sunflower6Blog

Environmental issues should not be swept under the rug. It is time we demanded complete disclosure and an end to censorship of 'controversial' points of view. We owe this to our children and our planet.

UPCOMING EXHIBITIONS

I've decided that these censured paintings deserve further exposure in light of current events so I will be exhibiting them at ‘ The Schoolhouse’ , May 27- 30 ( Reception May 27, 7-9 PM) 1592 Market @ Franklin, San Francisco near Zuni Cafe

I will be following this brief reprise with the public unveiling of my new 'Climate Change Quartet' at the Caffe Museo at SFMOMA, June 2 – July 14: (Reception June 2,  5:30 – 7:30 PM)151 3rd St, San Francisco

In California, Politcal commentary Tags acceptable levels of radiation, Anthony Holdsworth, Caffe Museo SFMOMA, censorship, Chernobyl, Climate Change Quartet, Dennis Holdsworth, Ernest Sternglass, exhibitions, Global Warming Paintings, green technology, GSA, Japanese nuclear disaster, John Gofman, nuclear power, nuclear radiation, radiation hazards, Three Mile Island, Upcoming exhibitions
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About the artist

Anthony Holdsworth was born in England in 1945. He was introduced to oil painting in high school by the New England painter, Loring Coleman. Holdsworth embarked on a painting career while working as Head of Outdoor Restoration for the Uffizi Gallery in Florence, Italy after the flood of 1966. He continued his studies at the Bournemouth College of Art in England where he studied with master draftsman Samuel Rabin and color theorist Jon Fish and at the San Francisco Art Institute where he studied with Julius Hatofsky, Bruce McGaw and Fred Martin. He has shown with major galleries in Oakland, San Francisco, Sacramento and Los Angeles. He has participated in two exhibitions at the Oakland Museum. He was included in the California Cityscapes exhibition at the San Diego Museum. He was a recipient of WESTAF-NEA fellowship in 1990. His work is in corporate and private collections worldwide.

 

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Anthony Holdsworth

Dispatches from the street