Anarcho-Syndicalism, Camille Pissarro and the Occupy Movement

'Three Painters Witness Occupy Oakland and Occupy San Francisco' on youtube I recommend that you watch this eight minute video  in its entirety before reading today's blog. Don't miss the images in the credits.      Enjoy...

We all know that the rebellious young artists who gathered around Camille Pissarro in the 1870's and 1880's gave birth to the first modern art movement, Impressionism. But the radical political origins of this movement are not generally understood. 'Pissarro's People' at the Palace of the Legion of Honor in San Francisco Legion of Honor highlights the radical ambiance within which this movement was born and the central role of Camille Pissarro, a life-long anarcho-syndicalist, in nurturing and shepherding the movement. Artists as diverse as Gauguin and Cezanne acknowledged their artistic debt to the man Cezanne referred to as the 'humble and colossal Camille Pissarro'

The democratic egalitarianism of anarchism inspired these artists to work together in a rare spirit of collegiality which enabled Impressionism to advance into virgin territory. Because these artists were comfortable on the street, among the people, their work shares a universality that continues to engage the  public.

As international collectors swarmed the 'School of Paris', artists scrambled to create new 'isms' and modernism, nurtured on political radicalism, morphed into  radical experimentation which remained  vital up through Abstract Expressionism.

Pop Art marked the end of the original radical impulse and the beginning of an unhealthy union of the marketplace and art institutions.

The Triumphalism of the 'American Century'  which led to the absurd assertion, in the 1990's, that we had reached the 'end of history'  was anticipated in 1970's  by art writers who proclaimed the 'end of painting' .

There is no denying the achievements of artists as diverse as, say, Walter de Maria, Christo or Andy Goldsworthy who confirm this narrative.  But to characterize the activity of painting, which we have engaged in for thousands of years, as no longer relevant appeared to me, even in those days when I was studying at the San Francisco Art Institute, to be absurd. It strengthened my resolve to explore new possibilities within realistic painting.

Painting is a fundamental laboratory of the imagination. Painting from life, studying, absorbing, refining and communicating our experience in a direct, physical way opens our eyes to reality on a deep level. It refines our capacity for empathy which is the currency of art.

The unexpected emergence of the Occupy Movement is a sign that the country is finally awakening from the delusion of American triumphalism. The 'street' is re-entering the political dialogue. It is a good time to be out on the street channeling this populist energy.

Paintings of Oakland at the Berkeley Art Center, Aug 20

I am displaying two paintings of the Uptown district of Oakland in the juried exhibition 'California!' at the Berkeley Art Center. It opens Aug 20th with a reception that evening from 5 - 7 pm. Join me there. The paintings both  feature an old apartment building  from different points of view at the corner of 23rd and Telegraph that is currently occupied by Rock Paper Scissors one of the founding members of  the popular Oakland Art Murmur. Across the street are several galleries including Chandra Cerrito, The Johansson Projects and Hatch Gallery.

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These works are some of my first painted on thin, hardwood ply. They represent a new chapter in my urban landscapes, as they were created using my new bike and trailer which I've outfitted to carry  painting gear and plywood panels up to 20" x 26".

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They eliminate the four F's of setting up to paint on city streets: parking Fees & Fines and Fossil Fuels.

In the back of the trailer (Below Left) you can see my  easel and painting table on top of a narrow wooden box that carries the plywood canvases. Brushes and paints are stored below.

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The easel itself (Above Right) has a wooden table that doubles as a protective carrier for a canvas and a paint filled palette when it is not attached to the easel. It was designed and built by myself and painter Marvin Dalander.

Archival Prints on Paper or Canvas for Peanuts!

If you, like most of us, have tightened your belt in this ailing economy you've probably decided to forgo purchasing luxuries like original art.

I am offering limited edition, archival prints on paper or canvas of some of my best paintings at unusually low prices. Prices that are one half to one quarter the going rate for archival reproductions!

To view the full inventory click on 'Shop' at the top of this page.

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Created under my supervision at Magnolia Editions in Oakland, the prints on paper are pigmented ink-jet on archival paper. The prints on canvas, which to the casual eye are indistinguishable from original paintings, are stretched and ready to hang. They are protected with two layers of UV resistant matt varnish.

These are not the original works, but they are as close as you can get for a fraction of the price.

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Because they are signed, limited editions they will appreciate modestly over time. Properly cared for they should remain vibrant for four to five generations.

Painted on location in San Francisco, Italy, Istria, Oakland, Mexico and Cuba the more than forty images start at $ 125 for a square foot print on paper (edition limited to 200). The large prints on canvas (five square feet – edition limited to forty) signed and ready to hang are $ 700.

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Consider purchasing these archival prints not only for your home or office but as special gifts for close friends and family.

For rebates on shipping and handling fees::

If you are within driving distance of my studio, phone me when you make your order. We can arrange for you to pick up your purchase and I will refund the shipping and handling fees at that time.(It may take me two or three days to return your call. Production of prints may take up to ten days.)

Purchasing the original works:

Some of the original oil paintings are available for sale at my Studio or at SFMOMA Artists Gallery at Fort Mason in San Francisco

Revisit my site every few months to view new additions to my inventory.